TEATRO DON OPERATICO

GUGLIELMO CLINTON

                GUGLIELMO CLINTON CLASSIC          

             This page is devoted to my first Clinton parody posted to Standing Room

            (the message board at Opera News Online).  I will begin, however, with the
            background to the parody,
in the ancient "Parodied lyrics" thread.  This thread
             is now dead, 
since it was destroyed in the Great SR Crisis of 2003.

            25 April, 1997
        Ken Howard

            Colgate's better, Colgate's better, it beat Crest and Aim in the
            test! (sung to "Colga l'empio" from Macbeth).
            Yes, I have found new territory to tassle with.  In college we used
            to butcher texts to choral works and operas we were singing in
            concert with the Philadelphia Orchestra et al., all the time.  
            Carmina Burana was one of our favorites.  Please understand that
            this is done with complete respect for the actual works, but the
            monotony of repetition of learned pieces sometimes bred parody.
            WARNING: If you find parody to be disrespectful and blasphemous to
            the world of opera, then (1) you must not like Bugs Bunny, (2) your
            humor lobe from your brain has been removed or absent at birth, or
            (3) as Kate Hepburn so elegantly put it in "On Golden Pond," "Is it
            just not your cup of tea?"  So I beg all dissenters to visit another
            thread and let those of us who wish to have some innocent fun do so.
            Thanks.



            Betsy Wilson

            Nice warning!!
            ;)



        Operatic Civilian

            Well, let me be the first one to offer the following -- probably
            older than time immemorial [while I was travelling on my time
            machine I heard several pterodactyls singing it -- Don O.], but
            which I got from The Simpsons:
            (sung to Escamillo's aria): "Toreador, oh, don't spit on the floor,
            use the cuspidor, that's what it's for ..."
            And since we're in Carmen, there's the burlesque on the Habanera as
            done in the Marx Brothers' Coconuts:
            "I want my shirt, I want my shirt, I can't be happy without my
            shirt."



            27 April, 1997
       Don Operatico

            Well, I've been waiting for the last few days to see if anyone else
            would add to this thread, but no one has, so I suppose I may as well
            take the plunge.  These are all idiotic, but I guess that's the
            whole idea.
            "Poor G.I. Joe" (Countess, The Marriage of Toys "R" Us)
            "Deh velcro won't adhere" (Susanna, same opera)
            "In diesem heil'gen Website, kennt man die Flaming nicht" (Sarastro,
            Das Zauberweb [shouldn't that be, Die Cyberflöte? -- Don O.])
            "Amor ti veto" (President Fedora)



            28 April, 1997
        Tall Soprano


            The only problem is that the only parody I know really well is to
            "Una voce poco fa," and it's so dirty I'd get kicked out of here for
            good. [I never did find out what it was.  I'm really missing out.  
            Don O.]



            Ken Howard

            I know that one, and you're right.



       Konstanze

            If I rpomise not to reveal my source, will yuo e-mail that one to me?



            Don Operatico

            It's hard to think of parodies that are funny without being obscene
            [not that difficult].
            "Là ci darem la mango"



        29 April, 1997
        Tall Soprano

            We also did a version of "Che gelida manina" from Deliverance --
            probably get shot for that one, too.
            So here's one from DG -- you'll only get it if you know it really
            well.  When DG sings "Zerlinetta mia garbata", it became
            "Zerlinetta, my garbanzo bean!"  That's courtesy of my friend Karen
            who's singing Elvira w/ Bronx Opera (a little free publicity -- she
            opens this Friday and I'll be there!).



            Don Operatico

            From the beginning of the Act I Finale.  The next line (to continue
            with the culinary DG) might run like this:
            DG: Toasted Wheaties, Toasted Wheaties with caviar!
            Z: Deh, let's have some more sangria!
            DG: No, I'd rather drink tequila!



            1 May, 1997
       Konstanze


            Is anyone familiar with Spike Jones' version of I Pagliacci?  I used
            to hear it from time to time on the classical radio station in
            Rochester.
            (sung with a Hilbilly accent) When I was in the city I was wonderin
            where to go.
            A signed spelled out "Pagliacci" up in lights above a show.
            I thought 'twould be a Western, till the stage lit up with lights,
            the 97 people sung without a horse in sight.
            I couldn't understand 'em 'cause they spoke a furrin tongue!
            But I can give you some idea of what I think they
            suuuuuuuuuuuuuuuung!
            (tenor voice, sobbing): Riiiiiiidiiii, Pagliaaaaaaaaaaaaaaaaaccio!
            (Hilbilly)  All at once there's a fat guy in a clown suit!  'T ain't
            Hollerween, that's fer sure!  Then this here feller, this
            Paunchyneller begins to heller: Yo duh lee ayy hee hooo! Like we all
            was deef!  That was Pagliacci, and he sung:
            (to the tune of "Vesti la giubba")  Invest in a tuba and somethin'
            or nuther 'bout Cuba [this proves that opera is controlled by
            Communists -- Skippy]!
            He sung about a lady who weighed two hundred and eighty!
            When she takes a powder, he just starts chirpin' louder,
            but he don't do a gall darned thing, 'cept to stand up there and
            sing!
            When I listen to Pal-yachee, I git all itchy and scratchy.
            This sure is top corn, so I go by some popcorn.
            I hate to go back, but I can't get my dough back!
            There ain't no use complainin' 'cause outside it;s rainin'!
            Seven hours later I'm still in the darned The-ay-tur!
            Takin' turns at nappin' waiting fer somethin' to happen.
            Pagliacci he ain't hurryin's but the folks on  stage are flurrien
            and it sounds like Catchiturrian's Neighbor Dance!
            When old Pagliacci finds the guy he's seekin' cheek-to-cheekin' with
            his wife he takes a knife and stabs the louse who stoled his spouse.
             Then he stabs the lady and himself (ain't very sanitary).
            Then old Pagliaaci sets up and he gets up, sings "I'm dyin'."  HE IS
            DYIN'??? and I'm cryin' cause to tell the truth I'm dyin' too!
            As the footlights fade out, we see Pagliacci laid out
            but the dagger never cause it! Pagliacci was plum exhausted!!!!



            Joe Diamanti

            Years ago, the famous opera Pigoletto starring Miss Piggy was
            performed on the old Muppet show.  Anybody remember that?



            Ken Howard

            Sung alongside none other than Beverly Sills.



            Figaro

            Yes, she was great. There is no one like her in the world.  (Miss
            Piggy, that is!)



            Don Operatico

            Konstanze's Grand Ole Opry version of Pagliacci is the best so far.
            This isn't strictly a parody of lyrics, but on one of this season's
            Quizzes (I think it was the Ballo broadcast), the contestants had to
            make up parodies of arias, as if written by other composers.  One of
            the contestants did a Philip Glass version of "Vedrai carino."  
            Crtuchfield sang a Handelian version of "E lucevan le stelle"
            (complete with coloratura), and Philip Glass's "Di quella pira" ("Di
            quella pira ... di quella pira ... di quella pira ... di quella pira
            ... somebody stop me!")



            Monica

            As the orchestra plays The Ride of the Valkyries, you can sing
            along: "Calcium Phosphate, Calcium Phosphate, Calcium Phosphate,
            Calcium Phosphate ... etc.



            3 May, 1997
        Don Operatico


            For all we know, that's what "Hojotoho!" means ...
            Don Giovanni as Microsoft salesman: "Deh vieni alla Finestra '95"
            ("Come to Windows '95").  



           Figaro


            Don Operatico --
            That was the funniest post I've read on SR yet!  Bravo!



            Don Operatico

            Thanks, Figaro.  I thought Howard's Rigatoni was hilarious. [Alas,
            no record of "rigatoni' has survived, to my knowledge, and I have no
            recollection of its contents whatsoever. -- DO]
            I"m holding a Guglielmo Clinton parody in reserve.



            Konstanze

            Don Operatico --
            You can't leave it there! Let's hear it!



            4 May, 1997
        DNKoenigin


            This puts me in mind of stories a friend has told me about college
            days -- a Don Giovanni blanked out on the words to "Là ci darem" and
            sang his entire portion repeating "Là di darem la mano, là ci darem
            la mano," etc.... And whoever thought of "O don fatale" as "Oh,
            fatal cuteness"?
             
            Then, does anyone else remeber the Gilligan's Island Hamlet?
            I ask to be, or not to be, a rogue and peasant slave is what you
            see... (Habanera)
            Neither a borrower nor a lender be -- do not forget, stay out of
            debt.  Think twice and heed this advice from me -- guard that old
            solvency ... (Toreador Song)
            I'm really scared that I remember as much of these lyrics as I do...



            [THIS IS THE MUCH VAUNTED CLINTON PARODY]
        Don Operatico


            Very well, Konstanze, if you insist ...

            Act I begins with a chorus of corporate lobbyists and politicians
            singing the praises of soft money, "Senza lilleri non si lallera
            [Rightly so!  Soft money is the glory of our democratic system. --
            Skippy]  I'm sure you're right, Skippy... But anyway ... exit
            chorus, leaving Celsea alone with her cat Calzetto (Socks).  She
            sings of her longing for the lyric tenor Salamandro Ghingraccio
            (Newt Gingrich [rather dates this piece, no? DO]) in the lovely aria
            "O mio gattino caro" ("Oh my dear little cat").  Enter Salamandro
            Ghingraccio, he and Celsea sing the usual love-duet, interrupted by
            Calzetto's coloratura miaowlings.  Exit Celsea to get Calzetto some
            catfood.  More or less alone, Salamandro reflects on how his rise to
            power is motivated solely by love for Celsea, in "Sei crudele,
            Signro Ghingraccio" ("You're a mean one, Mr. Grinch"), Porvalone's
            signature aria.  He exits at the sound of voices.  Enter Guglielmo
            Clinton with Alberto Gore and Don Giovanni Huang. Recitativo
            accompagnato: Guglielmo is not satisfied with Don Giovanni's offer.  
            In the famous aria, "Io sento il tuo dolore" ("I feel your pain") he
            explains that, as much as he regrets the fact that DG doesn't
            control US trade policy, he needs a bigger "contribution."  
            (Guglielmo's vocal category depends on whoever has sung last.)  In
            recit Guglielmo asks for DG's daughter Paola di Giovanni (Paula
            Jones); the two come to an agreement in "Là ci darem la mano" ("It's
            a deal")  The Act I Finale begins with the entrance of Paola; she
            and Guglielmo embrace.  GC's wife Ilaria enters in a rage;
            Salamandro enters in search of a "contribution" from DG; Celsea and
            Socks enter for no real reason except that it's a Finale.  In the
            confusion, Guglielmo and Paola escape.

            Act II begins with Guglielmo and Paola alone in the Lincoln Bedroom.
            GC admires Paola's hair ("Non ho inalato" = "I didn't inhale").  
            Enter Donna Ilaria, exit GC in haste. Ilaria conronts Paola in the
            duet, "Sgualdrina sfacciata" ("Shameless hussy").  Left alone,
            Ilaria sings, "Mi tradì" ("He cheated on me").  Enter Alberto Gore
            who proposes elopement in the celebrated baritone aria, "Non v'ha
            controllante autorità legal" ("There is no controlling legal
            authority").  He is spurned.  Enter Don Giovanni Huang with the
            other characters.  He proposes to sort everything out, and to give
            enormous contributions to everyone, if he's allowed to control US
            trade policy and be exempt from all taxation [powers that belong to
            me by right -- Skippy] in "Giacché spendo i miei danari, io mi
            voglio divertir" ("As long as I spend my money, I want to have a
            good time").  The Finale consists of various deals made among the
            characters.  The opera ends with a reprise of the "Senza lilleri"
            chorus.

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